supermassive 22 (dream 4 wrapper in)
produced 2021.07.13–16

in Jest's perception: tracking shot of an Estateless, forested Venice backwood.  perceived title card: "RELAXATION ZONE [line break, smaller text] 1999".  a beautiful and massive pool tucked and secluded away, a paradise bounded by yellow cranes large and small.

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to me this song has always been about a sense of guilt for existing; for eradicating the sense of peace and security of those who sacrifice so much to conceive you.  anyway, some of the most beautiful of the most beautiful of supermassive's stems can be found here.  i love these.  i think a lot of the strobey stuff is still really novel and interesting—i was really into gaspar noe and specifically the movie enter the void from ~2015 through around this time ('17-'18) so i think that really influenced the sound a lot.  start of the fourth and longest suite (22–26).  also yeah i dreamed this too (don't think there are many settings on sm that _weren't_ directly experienced via dream first), supraphysical title card and all.

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◼ SES123.mp3
incredibly emotive and texturally dynamic live show, one of my best performances.  long!  but you noticed that.

◼ WHOOSH4.mp3
rly like the leitmotif from #01 at the end of this.  i guess i always disregarded it because the WAPWAPWAPWAP was so jarring

◼ S13b.mp3
this could be considered the blueprint for this one, along with S13a.  title might indicate this was supposed to be track 13?  idk, i actually dont remember that

◼ Whoosh3.mp3
im in thegame

◼ Dream10.1_Relaxation Zone, 1999.mp3
this samples #08 i think.  very vektroid